by Ben Delaney The first time I heard the name Taylor Swift, she had just released her 2008 blockbuster album Fearless and the first hit from that album, “Love Story,” was just hitting the airwaves. While the angst of my much younger self was turned off from the pop star, these days I eagerly await the re-release of Fearless. This is because the upcoming re-release is, in some sense, showcasing a “quirk” of the U.S. copyright system with relation to the music business. This article will briefly examine Swift’s battles with music ownership, and the possible implications her battle has.
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