by: Fairouz Qoulaii 1. Introduction to publishing in the context of translation The translator has a very detailed knowledge of the work. He or she has the power of words to bridge two cultures, which is why the Literary Translators Association of Canada (LTAAC) promotes the art of literary translation.  Consequently, it is important that agreements between translators and publishers reflect this contribution. The Literary Translators Association of Canada (LTAC) therefore organizes various activities across the country and offers pre-established model contracts that include the rights and obligations of translators, publishers and other parties. a) The Publisher’s Role The publishing.

Continue Reading

by: Fairouz Qoulaii he purpose of this article is to highlight literary translation as a practice, to reveal the role of translators and to illustrate the issues arising from works protected by copyrighted or from the public domain. First of all, the translator is the cornerstone of the universality of the work, which is no longer limited to the writer’s original language: “to translate well is to transmit a foreign text while respecting its triple specificity: linguistic, textual and cultural. [The literary translator has thus become a mediator of cultures” (Free Translation, Wuilmart, 1994: p. 251).  Translation : the highlights Translation.

Continue Reading

by Fairouz Qoulaii Artists starting out in the music industry will have to interact with various companies, such as music labels and publishers. A single company may act as a label and publisher, but this is not necessarily the case. The distinction between the two is important to understand. What is a label? Labels are marketing, know-how, and art direction organizations that help with artistic management, including recording and phonographic production. They also provide the artist with financial, commercial, and administrative support for the development of their project, including with the communication and marketing that goes with it. It is.

Continue Reading

Publishers, Labels and Song Ownership When an original musical composition is created and recorded, there are two sets of copyrights that immerge : (1) the copyright attached to the musical composition itself-the words and music of the song and (2) the copyright attached to the particular recorded rendition of the musical composition, called the master. It is important to recognize this distinction because the owner of the master recording will often be different from the owner of the composition itself. A music publisher administers , and will often own part of , the copyright attached to the musical composition, while.

Continue Reading

Basics Publishing agreements touch on the ownership and administration of the rights associated with the copyright of a musical composition. They are agreements between the author(s) of a work and a music publisher.  Under publishing agreements, music publishers are responsible for finding users for a song, issuing licenses for its use and giving a portion of the money collected to the songwriter. In exchange,  authors will sign over a portion of the revenue generated by the song to the publisher. Authors also often will sign over a portion of their copyright in the song  to the publisher (a publishing agreement). The.

Continue Reading